19 January 2009

Heirloom Kow-Tow

INTRO
My organ is the great and powerful Ark, hear its bark!

VERSE 1
A Nautilus gratuitous conservatist wake of the golden spear
One gargoyle of the pride, fibrous cellulose spread spewing ohr zaruah!
One molding, master sinestra or left for our less latin inclined

CHORUS
Rewind, supine, sublime and macchu picchu comes again
Rewind, supine, sublime and macchu picchu comes again

VERSE 2
Sunrise milky onion flying shadow of a bow
Does the parcelman realize it's tape down below
The shadow electric spews negative good
The terror of Sodom! The victim is the pupil not the daughter.

CHORUS
Rewind, supine, sublime and macchu picchu comes again
Rewind, supine, sublime and macchu picchu comes again

BRIDGE
She plays dumb for the blondes and the giants
Only thing easier than playing out the truth
Sooth-sayin' eyes, locked-up surprise

BRIDGE 2
I play dumb for the drunks and the broadcasters
Only thing easier than living sans sordino
Flatter mine eyes, still no surprise

SOLO(S)

CHORUS (IN FANFARE
Rewind, supine, sublime and macchu picchu comes again

THEN IN FUGUE)
Rewind, supine, sublime and macchu picchu comes again

VERSE 1 (REPRISE)
A Nautilus gratuitous conservatist wake of the golden spear
One gargoyle of the pride, fibrous cellulose spread

OUTRO
spewing ohr zaruah!
spewing ohr zaruah!
spewing ohr -gan is the great and powerful Ark, hear its bark!

--
Sent from my mobile device

03 January 2009

André & Z, first draft, incomplete

"I'm not your fucking pet, Entrée."
"You're damn right you aren't. You, my canine friend, are my cash
cow. You will make me rich, Z, and when you stop pulling a crowd I'll
sell you to some high-collar fucking aristocrat and you'll be his
loyal fucking slave." André was too pompous; his sweat tasted like
rattled nerves.
Feigning boredom, Z took in the ringleader's anxiety and began to
decipher it. "I stopped paying attention around 'I taste good tartare
with a lactic acid sauce'. I might prefer my Entrée with a spleen
and bile salad, but I am watching my weight...maybe just a
half-spleen..."
"Call me Entrée again and I'll sell you to a gourmet butcher, asshole."
"I quake with fear, Appetize-dré..."

The hulking, inhuman mass in its cage let out a deep, predatory
chuckle. Z had all the time he wanted, as long as André stayed the
same pathetic, money-hoarding tapeworm that he always was. That the
mocking nickname bothered the worm confirmed Z's predictions: André
had found patrons for tonight.

The muscular prisoner's gigantuan Trapezius muscle flexed, mockingly.
Every day, André looked more appetizing, and Z could think of fewer
and fewer reasons to keep him alive.

"If you weren't a great sideshow-"
"And here I thought I was the main attraction."
The ringleader ignored the interruption. "-I'd call the boys in grey
to make your chest into hairy motherfucking jewlery!" André's heart
thundered angrily in his brain; music to Z's ears.
"You will not speak English in front of paying customers."
Z's toothy grin belied his carnivorous intent. "No English? ¿Puedo
hablar Español? Midaber Ivrit?"
André dismissed the obvious bait from the overconfident lycanthrope in
front of him. "You will scare customers, but no physical contact. No
attempting to eat anyone, no clawing kids, and for the love of Profit
do not just lay there, sleeping! " Blood ran past André's temples; Z
couldn't decide whether to be hungered or aroused. Why not both?, he
thought.
"People pay good money to see a big, scary, make-em-shit-themselves,
honest-to-fucking-Profit werewolf. I don't want a furry piece of
fucking furniture!"
The lupine prisoner grew bored of banter, his rapacious appetite
requiring a bit of a compromise. "I'll need to be fed first, then.
Now would be lovely, Entrée."
The profiteer's patience had paid off. "Watch your fucking mouth,
dog. I'll send Butchie over with some fresh venison, once I get back
to my office, that is." André adjusted his raggedy top hat. "Might
go faster if wasn't so offended..."

An ensanguined growl spat out what might have been "Fine, André", but
was so shrouded in malice that André could only assume its contents.
The ringleader ambled slowly back to his trailer, leaving the famished
werewolf to seethe. The battle had been Z's victory, however, as
venison meant only one thing: wealthy reporters.

***

Two by two they came through the carnival's towering gates. Some had
little ones in tow, some had clipboards and microphones, some had
dates on their arms, and still others had their arms tucked
defensively at their sides. Word had coursed through veins of gossip,
arteries of paper and television cables, pumping from a single,
powerful ventricle: a living, breathing, biting werewolf. News had
trickled at first; André was an expert in drawing out a profitable
enterprise. A few, carefully placed, implausible rumors found their
way to conspiracy theorists and self-proclaimed monster hunters. From
there, the echoes of interest bounced from online forum to inbox, chat
room to front porch. Bloggers bragged of having seen this great
terror, and networks pounced on rights to the naive writers'
intellectual property.
Soon, every full moon yielded cameras and well-dressed journalists
caked in make-up. Microphone booms poked through throngs of suckers
who had given up two paychecks just to glance upon the "Feral Phenom",
as André billed him. "See the chained beast! See man's triumph over
his lowly cousin!" André knew that his clichèd sideshow advertising
drewmore groans than cheers, but he also knew that people with money
are suckers for nostalgia. A worn-down velvet suit, off-color vest,
tattered, fingerless gloves and a general stench of sleaze were topped
off with a brilliantly awful looking top hat. André was every
nightmare's Carnival King, reigning over his subjects justly, assuming
they all paid their taxes, of course.
Every few months, animal rights protestors blocked off Z's cage and
claimed that this was no beast but a thinking, caring creature that
needed love and affection. Those smart enough to see Z as the
carnivore he was kept a good distance from the bars. Inevitably,
though, a young and brash activist would attempt to show Z's
compassion by attempting to pet him. The amused werewolf would lead
the kid on by rolling over on his stomach and wagging ass as if a tail
once wagged there. After seeing André's fearful resignation, Z would
lodge his claws into his prey's temples (just in front of the sphenoid
bones, just behind the subaorbital foramens) and would, to the horror
of onlookers, slowly eat the kid's eyes out. Z would spew crimson
through violent laughter as he tossed the grisly, unstaunched body
back into the crowd. André was sure to get liability waivers signed
well in advance.

02 January 2009

Photos have moved!

To keep this blog focused on writing, I have transfered my photos to the newly created DubTak's Photo Dump. Go visit at http://dubtak2.blogspot.com

-DubTak

29 December 2008

Artificial Hydroponifier

Freewrite #4: Boredom at the Office

Alphabetic idiosyncratic make a list and check it till the G-ddamn cows come home to roost. Red, red, purple, red, misfile, misfire, clean the gun or it might sully the clamps. Never seen stirrups covered in mittens or industrial sized tubes of labia lubricant? That's a Tuesday for me, because everyone knows bulldozers come on Thursdays. Stamp stamp scribble, scribble scribble put away. No one seems to get a rhythm here, 'cept me, of course. Drifting through deserts desperately drinking diet dredge to destroy the doldrums. Scoot rumble scoot JAM...damn. Busy busy busy. Punch out a couple o' eyes, make room for the uterus, kids! Yet I need a family, even if it's elbow-deep in dried-up riverbeds.

-DubTak

22 December 2008

The Joys of Outwitting Scams

Recently, one of my poems became a semi-finalist in a contest (Poetry.com). I have heard many a dubious remark about this site, and yet I continue to get my hopes up that I may win the elusive $10,000 annual prize. Among the many less-than-stellar comments on the way this site operates is that they get money for books that they never ship, they require massive payouts for symposiums, resources, etc., and they never respond to correspondence of any kind.

I, however, read every word of the letter that they sent me, and found that they (apparently) publish semi-finalists regardless of payment. So I checked off the "permission to publish" box, wrote my edits to the draft, wrote a little note, and sent it off sans check. No chance of being stolen from if you never give 'em money to begin with, I say.

Now they have sent me an e-mail about how I have been selected for their elite membership program. I clicked on "more info" to see if I would need to pay anything, and wouldn't ya know it, the link was broken. Every single link in the letter went to a non-functioning site. I attempted to reply and dutifully report this error, only to have GMail yell at me...something to do with invalid domain name or no response or some other such error report.

No ability to reply means that my membership, paid or otherwise, will be put on hold. I am not giving out a massive amount of information to a company that didn't even give me working addresses. Take that potential scammers!

What shocks me the most is not the sleazy way that these companies sneak about, but that people are still surprised when their money vanishes. Allow me to spell it out in my trademark all caps:

IF ANYONE ASKS FOR MONEY UP FRONT FOR PUBLICATION THEY ARE EITHER SMALL-TIME OR A SCAM!!!!

Often these companies are struggling to get by normally, so they get a lot of money out of the saps who seem unable to read fine print. Poets and writers talk about how their intellectual property was stolen and they feel violated, to which I respond: "Either grow some brains or grow a pair". If you are sending money to a company that you probably can't find on the NYSE, CPOYRIGHT YOUR WORK FIRST!!! It's very simple. Just go to http://www.creativecommons.com and you can get a little icon thingy (much like the one all the way at the bottom of this blog) that is an honest to goodness LEGAL COPYRIGHT. If internet copyrights make you nervous, mail a copy of the work to yourself. An unopened, time-stamped envelope is a legally binding indicication of ownership.

Seriously, some artists need to wise up and realize that in the cold, brutal world of American business, profit is the viscious dictator. Businessmen will drain every penny out of you if they can. Don't let them: never send a check without proof of service and a copyright, never pay to have anything published, and never trust the guy taking your money. There are legitimate agents for all fields that won't charge you a dime until after publication, at which time they'll take 10-15%. Wise up, people.

-DubTak

11 December 2008

Proton Shaver

Freewrite #3: Still Life

"Neon diagonal interrupts barrel aging. Flying buttresses surround neat, never over, with inappropriate flexible membranous vacuums. Walls of narrative, of unique snowflakes and falling frogs and Irish avengers; one of verticum and another wonders why on this night we use pillows and dip parsley. Spires dance with ease of tubery, testament to blue or brown or clear or some manner of bitey burn. Aged woodstock tells stories of tartan bound bags, Colonels and divorcers, lager and high-sticking, and of course the occasional porcelain-bound king. Plasticene green means sweet and sour power, man of the hour, cactus cowers before topless vestibules of imbibed embarassment. Yet the strong downward slice of verdant ice makes one ponder an empty vessel."

Just a little experiment to pass the time whilst at home.

-DubTak

07 December 2008

Human: Negative; Targets identified as DANCERS

How do I love thee modern dance? Let me count the ways. Be it thine complexity; how thee turneth the body into thine own canvas? Be it thy rapier wit, slicing through the murky facade of Americana?

Perhaps it is simply that you are HILARIOUS; that no matter how good the music and the choreography and the writing it will always come out making me laugh hysterically. Something about trying to make dance tell a serious message just gets me every time.

Oh the things you see as a pit musician.

-DubTak
 
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